In our weekly feature honoring some of our favorite subgenres, we've been talking in depth about the difference between the two as well as how and when they cross over. First we heard from Jo Treggiari and how these subgenres have started to take over and how her book Ashes, Ashes came to be. Then Kathy, who was my inspiration, shared how this all came to be. Now, Schuyler, @ReadersInk, is here to give you her input...
The
Pepsi/Coca-Cola Test: Is it Dystopian or Post-Apocalyptic?
If you
put a best-selling “pure” young adult dystopian story like
Veronica Roth’s Divergent in front of a teen, and then a
“pure” YA post-apocalyptic book like Mike Mullin’s Ashfall,
will they be able to tell you which story is which literary type?
If
they’re in a good English class, definitely. Should teen and adult
readers know the difference between the two? Absolutely! But at what
point does this question, with certain books, become a bit like the
Pepsi vs. Coca-Cola taste test, where differences are frustratingly
subtle?
There
are obviously scholarly literary definitions of both “dystopia”
and “post-apocalyptic”, but here’s the incredibly cool thing
about stories, as author Patrick Ness wrote in A Monster Calls:
“Stories are the wildest things of all.” (Speaking of Ness, if
haven’t read his YA dystopian trilogy, Chaos Walking, you’re
missing a masterpiece of the genre.) Stories morph, become wiggly,
and ultimately, defy the pigeonhole of “purity.” That’s not to
say that most do not fit into one category or another. However, many
cross borders.
For
example, how does a reader truly categorize Carrie Ryan’s The
Forest of Hands and Teeth? Is it
post-apocalyptic, because humans are nearly extinct due to zombies;
or dystopian, because of the controlling society in which Ryan’s
characters live? On a more microscopic level, what about the
horrifically dystopian-esque experiences of Mullin’s Ashfall
protagonist and his love interest when
they’re stuck in a FEMA camp? Or, in Ilsa J. Bick’s Ashes,
the city of Rule?
Each
book in these two wildest of sub-genres, dystopian and
post-apocalyptic, like the taste of each other and other genres too
much to simply always be a one-or-the-other,
Pepsi-or-Coca-Cola story. When you’re reading, notice what other
examples of literary types sneak in—and drink them up, like the
brave new words they are.
Schuyler Esperanza is a ridiculously voracious reader who uses social
media to discuss books and mental health. Follow her on Twitter:
@ReadersInk.
Sometimes things are just too complex to be categorized neatly and these subgenres are that way. And big brother probably wants it just that way.
Join us next week for another blog post!!!
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